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Leeds was the next stop on the tour, a short 60 mile journey eastwards.  The venue was the impressive City Varieties Music Hall  built in 1865 and where the famous BBC television programme The Good Old Days was broadcast from.  Both Charlie Chaplin and Harry Houdini have performed in this music hall.  The place was full to capacity and included among the audience was Gilbert's daughter Helen Marie who goes to university in Leeds.  Attending her second show in three days was group member Julie Roberts accompanied by her children Cheryl and Bradley.  I am not sure who the biggest fan is in that family.  New members to our group, Chris and John from Liverpool were there, and I was joined in the front row by Mary and Graham from Huddersfield.  For those who still don't know, the group of which I speak is a forum where Gilbert fans can write and share their experiences of Gilbert's music.  It doesn't cost, it's great fun and only very nice people need apply.


1st HALF


DISAPPEAR

At 8.05 p.m. Gilbert walked on stage and began the show.  This was Gilbert's first ever single.


THE THING IS - [From the album "A STRANGER IN MY OWN BACK YARD"]

"This is where the Good Old Days were filmed. Leonard Sachs (presenter of said programme) would spin in his grave if he saw me here."


NOTHING RHYMED - [From the album "HIMSELF"]

The crowd cheered loudly upon hearing the opening bars of the song causing Gilbert to stop and jokingly say "there's no need for me to continue this one" after such a good reaction.


NO MATTER HOW I TRY

"My daughter Helen Marie is in tonight with her friends, they are probably saying 'Who's he?'  I also appeared on my first television programme in Leeds, it was on the Golden Shot (a game show on ITV in the 70s).  I wasn't sure that I would be welcome back in Leeds after my last hit.  It was in 1989, a song called "So What", which went like this, (and he played it):


I was born and raised in Alabama

Well it sounds better than Leeds


"You have to admit, it does sound better."


BECAUSE OF YOU - [From the album "BY LARRY" / "THE LITTLE ALBUM"]


WE WILL

Gilbert recalled getting a telephone call from Andy Williams while on tour in the US in the 70s.  Andy loved the song "We Will" and was anxious to record it but he had a problem with one word (bagsy) and wanted Gilbert's permission to change it.


HAVE IT - [From the album "IRLISH"]


MISS MY LOVE TODAY - [From the album "SOUTHPAW"]

Gilbert changed to his second keyboard (DX7) for this song.  Album tracks, Gilbert said gives the artist the opportunity to experiment and try different styles.  As a songwriter he is always delighted when somebody says to him about an album 'We like the singles but we also like this other track.'  This gives him immense satisfaction.


STICK IN THE MUD - [From the album "FROBISHER DRIVE / IN THE KEY OF G"]


CLAIR - [From the album "BACK TO FRONT"]


Gilbert recalled the time five or six years ago when he was stopped by a group of fans in Jersey while he was out walking with his daughter Tara aged 9 or 10.  "We thought you were dead" they said.  "Maybe they were from Leeds" he quipped.  "Is this Clair they enquired?"   "Yes I replied she's a midget."  People just seem to have a problem accepting that Clair is no longer a child and is now a married woman.


SOMETIMES - [From the album "SOUNDS OF THE LOOP"]


THE WAY THINGS USED TO BE - [From the album "FROBISHER DRIVE / IN THE KEY OF G"]

Gilbert changed again to his other keyboard for this song.  He related his experience of playing the Blue Note Club in Japan last October. Seemingly patrons of the club can have a meal while the show is on.  The closeness of the stage to the dining area coupled with the natural  shyness of the Japanese fans almost caused a few of them to have heart attacks when Gilbert changed keyboards and sat close to them.  Gilbert did admit that without Japan he wouldn't be here.


WHAT'S IN A KISS? - [From the album "OFF CENTRE"]


FOREVER WONDERING - [From the album "FROBISHER DRIVE"]

Gilbert and Mick were joined on stage by Archie Brown playing the tenor thereArchie had previously appeared with Gilbert in the Opera House in Newcastle.  By having local musicians play, Gilbert joked that he sees it as 'care in the community'.  "We feel that we are a part of you."


HOLD ON TO WHAT YOU GOT - [From the album "BY LARRY / THE LITTLE ALBUM"]

Mick Parker backed Gilbert with the piano-accordion.  Gilbert told us that as one of six children growing up in an Irish family there would often be sing-songs and the piano-accordion would be brought out and that he disliked it, especially Jimmy Shand records.  But now that he has grown older he had learned to appreciate it and has come to like the instrument.  "There is currently a great version of Chuck Berry's Promised Land with a great accordion solo."


THUNDER AND LIGHTNING - [From the album "HIMSELF"]

Archie Brown returned on saxophone for this track.


THE INTERVAL WAS FROM 9.15 p.m. UNTIL 9.43 p.m.


2nd HALF


A FRIEND OF MINE - [From the album "I'M A WRITER NOT A FIGHTER"]


ME - [From the album "IRLISH"]


SAY GOODBYE - [From the album "IRLISH"]

Gilbert told of the Spanish / French / Japanese and Portuguese versions and sang the Japanese chorus.  He then sang the French chorus which was greeted with woos from the audience.  "I should sing more in French.......is that women or men doing that?"


WATER MUSIC - [From the album "IRLISH"]

Gilbert introduced this song by explaining how he got the idea for it.  A few years ago his drummer Roly, had a cassette tape of sounds and rhythms that some people had recorded of everyday activities from around the world.  The basis of this song is the rhythmic sound made by women washing clothes on the rocks at the riverside in the Peruvian jungle.  Gilbert tried to incorporate the rhythm into a song for this album, but couldn't manage it.  So he just let the tape play and he sang over it.


WHO WAS IT? - [From the album "BACK TO FRONT"]


IS IT A CRIME? - [From the album "LIFE & RHYMES"]

This was a change to the usual programme and it is the first time that we have heard this song from the "Life & Rhymes" album on this tour.  (Pity you missed this one Linda).


THE MARRIAGE MACHINE - [From the album "A STRANGER IN MY OWN BACK YARD"]


MR. MOODY'S GARDEN

Gilbert it seems has a great fondness for this song which was his second single.  "My first single was called "Disappear" which it did."  He likes to sing the early songs and as he is a topical songwriter, they evoke memories of the time and as an example he explained the line in the song:


"Now down among the partridge trees

Lives a Don who loves his knees"


It appears that Don Partridge was a busker in London in the 60's who ended up having a number one hit with a song called Rosie.


WHAT COULD BE NICER (MUM THE KETTLE'S BOILING) - [From the album "BACK TO FRONT"]

Gilbert then spoke a bit about his age.  "I'm 55 and proud of it, I don't feel a day over.........60. When I was child and I looked at photographs of my parents in their 30s and 40s, they looked ancient.  I think we look good.  We look as cool as our kids, maybe cooler."  Audience laughter.


ALONE AGAIN (NATURALLY)


ENCORE


MATRIMONY - [From the album "HIMSELF"]


GET DOWN - [From the album "I'M A WRITER NOT A FIGHTER"]


THE SHOW ENDED AT 10.35p.m.


Gilbert enjoyed the performance tonight and it was no surprise when after about a half an hour he emerged from his dressing room and met his waiting fans in the lounge where he happily signed autographs and posed for photographs.  He was telling me that he is considering singing a new song in Ronnie Scott's on Sunday.  That's if he can get some time to practice it beforehand.  While talking to Kevin, he mentioned to me that they had tried to get Big Jim Sullivan, who played the original guitar solo on Alone Again (Naturally), for Ronnie Scott's, but unfortunately he was appearing in Hartlepool.  They are hoping to get him for November if the dates can be arranged.


The following CDs and song book were on sale in the foyer: